This beautiful book has been published to celebrate the 90th birthday of Stan Beckensall. It is available as a Paperback or an open access eBook.
Stan Beckensall is renowned for his work, done on an entirely amateur basis, discovering, recording and interpreting Atlantic rock art in his home county of Northumberland and beyond. Presented on his 90th birthday, this diverse and stimulating collection of papers celebrates his crucial contribution to rock art studies, and looks to the future.
Presented to Stan Beckensall on his 90th birthday, this diverse and stimulating collection of papers celebrates his crucial contribution to rock art studies, and also looks to the future. It should be of value to students of prehistoric Britain and Ireland, and anyone with an interest in rock art, for many decades to come.
Stan has done a phenomenal amount of work over recent decades, on an entirely amateur basis, discovering, recording and interpreting Atlantic rock art (‘cup-and-ring marks’) in his home county of Northumberland and elsewhere. Much of this work was done in the 1970s and 1980s when the subject, now increasingly regarded as mainstream within Neolithic studies, was largely shunned by professional archaeologists.
Anyone with an interest in rock art is greatly indebted to Stan, not only for his work and his wisdom, so graciously shared, but also, as the contributors to this volume make clear, for the inspiration he has provided, and continues to provide, for work undertaken by others.
I took a trip down to London to see the British Museum’s The World of Stonehenge exhibition. It was wonderful to see items that I’d read about over the years all gathered into one place and beautifully displayed. If prehistory is your thing, I’d definitely recommend a visit. here’s a few images to whet your appetite.
A few years ago I bought an album of old french postcards themed around prehistoric monuments and natural rock features.
This sparked a short obsession with prehistoric postcards. I bought most of them from ebay and boot sales, setting myself the challenge of paying no more than a pound or two for each card. The obsession burned itself out after a year or two so and I decided to put the collection online for anyone to use. I uploaded about a third of the cards and then kind of lost interest. I’ll return to it one day and finish the job.
If this sort of thing interests you, the collection can be found here
Near Moor is a moor on the western margins of the Cleveland Hills. The moor is at its highest in the north-east where it meets the wooded escarpment edge of the Cleveland hills, it then slopes gently southwards towards Crabdale. Near moor is bounded by Far Moor To the East, Pamperdale Moor to the South and the valley of Scarth Nick and Scarth Wood Moor to the west.
The moor is managed for grouse shooting. The vegetation of the moor is predominantly heather with patches of moorland grasses and sedges.
The rocks here are mainly Jurassic Sandstones, formed 170 million years ago in shallow estuaries and deltas. To the north, below the escarpment edge, there are many old jet workings. Blocks of ‘White Flint’ can be found on the moor-top.
Both Near Moor and the adjacent Scarth Wood Moor were used by our ancient ancestors, there are the remains of ancient walls, enclosures, trackways and cairns dotted across both moors.
There are a number of cup-marked rocks on the moor, all are very weathered and barely recognisable.
There are the remains of quarries on the margins of the moor, local stone masons also used the prehistoric walls as a source of stone.
We took a drive up to Northumberland to visit the most northerly English Stone Circle, Duddo aka The Singing Stones aka The Women.
Whilst in the area we dropped in at a couple of Prehistoric Rock Art sites. First stop was Roughting Linn where ate our lunch down besides the lovely waterfall. We then walked through the bluebell-clad ramparts of the ancient promontory fort to the large outcrop in the woods. The Fell Sandstone outcrop is covered in Prehistoric rock carvings and is the largest carved rock in Britain. The most of the carvings have been placed around the edges of the outcrop and have been likened to Irish Passage Grave Art.
This part of Northumberland is littered with Prehistoric Rock Art sites, most have wonderful views over the nearby fertile valleys. Many sites are intervisible with each other, quite a few also have nearby earthworks which have been interpreted as Iron Age in date. The carvings themselves are thought to be Neolithic/Early Bronze Age in date, the relationship between the carvings and the earthworks is not fully understood but it does indicate that these sites had a degree of continuity lasting for a considerable period of time.
We headed over to Weetwood Moor to check-out the carvings on the outcrops there before moving on to Chattonpark hill and the wonderful Ketley Crags, a Prehistoric Rock Shelter, its floor covered in deep cup and ring carvings.
On such a night the hills dissolved
And re-assembled in a shifting mist,
Numb with moonlight’s touch.
We learnt that silence was not hostile,
Took upon ourselves its deepest strength
Waiting for dawn’s layered sun.
A moon that placed
As crow’s shout cracked the sky
Fled from the triggered bird-song
Hesitant, then loud.
Before our eyes, a second birth,
A new-created universe,
Green and blue and gold.
Fluted stones whose shape had shifted
With emitted heat
From bearded barley heads,
Buried to the hips,
Reclaimed their circle and identity,
Guarding and inviting
As the sun’s diurnal course
Played a slow game
With shadow shapes
Time and time and time again.
Solstice: Duddo by Stan Beckensall from Northumberland Power of Place. 2001