Siss Cross

High Thorn under Will’s Hut passing Harlow Bush to the tank road. South passing Robin Hood’s Butts to Sandy Slack Head, west at Elm Ledge crossing Black Beck Swang peat pits to Siss Cross Road.

trees

Swang

butt

..the last earth fort

podzol

Podzol

sheep

Born waiting to die

Viewshed sunwise – Gerrick Moor – Elm Ledge – Beacon Hill – Glaisdale Rigg – Great Fryup Dale – Heads –  Danby High Moor – Danby Rigg – Ainthorpe Rigg – Danby Dale – Castleton Rigg – Westerdale Moor – Kempswithen – Kildale Moor – Haw Rigg – High Moor – Siss Cross Hill

White Cross

OLYMPUS DIGITAL CAMERA

White Cross survives as a base of local fine gritstone…The shaft is dressed in a chevron pattern indicating a post medieval date probably in the 19th century. The base is dateable to the medieval period. The east face of the base has the inscription – White Cross. Each face of the shaft is carved with a simple cross with equal arms 0.22m across. The east face has an OS bench mark cut near the ground. The cross has been whitewashed over the years according to the practice of the Downe Estate. The cross stands in its original position 2m from the edge of the old route from Castleton across Danby Low Moor. It also acts as a boundary marker for the medieval parishes of Danby and Commondale and now the county constituency of Cleveland and Whitby. The original shaft for this cross is in a museum at Whitby.

EXTRACT FROM ENGLISH HERITAGE’S RECORD OF SCHEDULED MONUMENTS

Chasing the Solstice Sun

Solstice sol (“sun”) and sistere (“to stand still”).

On a gloomy day I had little expectation of seeing the Solstice sun. I decided to seek out a Prehistoric Rock Art panel near Roxby. The site is located across from a narrow ridge that runs from the moorland to the coast. The ridge was formed by Roxby and Easington Becks running in parallel towards the coast cutting deep ravines into the glacial till. At some points the ridge narrows to the width of the track with sheer drops on both sides.

There are three known Prehistoric burial mounds in this valley. One in the woodland 250m to the west of the carved stone and another pair 1km south where the Birch Hall and Scaling Becks merge to form the Roxby Beck.

Woods

I follow the muddy footpath from Ridge lane down through the woods to a small gorge where a wooden bridge crosses the beck. The sound of running water is everywhere. The low solstice sun finally makes an appearance.

Roxby Beck

At the top of the bank the woods give way to fields. The field is pegged out for pheasant shooting. I spot a wooden structure on the hillside roughly where the stone should be.

Roxby stone uphillThe stone sits on swampy ground at the foot a low hill. The landowner has erected a fence around it to prevent damage from livestock.

Roxby stone

The stone is beautiful, it contains a number of different motifs, different sized cups, some with rings, linear motifs and a couple of faint rings that seem to ‘zone’ certain areas of the stone. Many of the cups are quite eroded, you have to move around the stone to catch the light falling across revealing the fainter carvings.

Roxby stone springQuite a lot of stone has been dumped on the boggy ground. A spring breaks through at the stone and runs down through the field to the Beck.

Solstice SunThe Solstice sun breaks through beside a dump of large boulders.

When showing people rock art for the first time, they invariably come up with their own definitive interpretation of the meaning, usually a map/chart related explanation. Show them a second and third panel and they begin to develop doubts.

Roxby stone ii

Over the years I have visited many rock art sites both home and abroad. I’ve concluded that we will probably never really know the true meaning of the carvings because we can never know the mindset of the people who created them. The best explanation that I can come up with is that the carvings may be an abstract representation of an invisible reality for the people who carved them and that the meaning may change depending on the locality. On the North York Moors there seems to be an association with burial monuments and trackways but this is not always the case.

Roxby stone i

A couple of years ago I attended a workshop at MIMA  They invited people to help create a timeline for local art. My suggestion was Prehistoric Rock Art along with prehistoric pottery, sadly neither suggestions were included in the final timeline.

Blasted

 

Sleights Moor

 

A friend and I took a walk around Sleights moor starting at the High Bride Stones, a group of Prehistoric Standing Stones that have been interpreted as the possible ruins of two Four-Poster Stone Circles or the remains of a number of Stone Rows.

HBS c1s

We followed the lines of stones to the edge of the moor and the descent into the Murk Esk valley.

Larsen sA Larsen trap, one of two in this small area, both thankfully empty.

Low Bridestones 7sDescending the bank to the Low Bride Stones on Sheephowe Rigg.

Like the High Bride Stones on the moor above, this is a very ruinous site. Archaeological surveys have revealed over 100 stones including a mutilated cairn.  The current best guess is that many of the stones once formed part of a prehistoric enclosure.

We moved north along the top of Lowther Crag to the disused Bolton Crag quarry, one source of the beautiful Middle Jurassic moorland sandstone. Across the Esk valley we can see the quarries at Aislaby. Stone from these quarries was used to build the 11th century Abbey at Whitby, the foundations of the old Waterloo and London Bridges and the piers at Whitby.

White Flint sWalking up onto the moor top we found small, loose boulders made of ‘white flint’. This stone was prized by the steel industry, its high silica content, up to 98%, meant that it was ideal for making refractory bricks and moulding sand.

Flat Howe s

We moved across the highest part of the moor to Black Brow and its two Bronze Age kerbed burial mounds, the Flat Howes. This is the highest section of the moor, there are uninterrupted views along the Esk Valley to the Kildale Gap, across the moors towards Fylingdales and down to the coast into Whitby, a fitting place to spend eternity.

In Moor

To celebrate the summer solstice I decided to head over to Purse Moor to try and find a carved rock that was discovered in 2000. After much searching I failed to find the rock so walked over to In Moor to have a look at a site that was first described in the late 1940’s after aerial survey of the area. I first came across a reference to it in Hayes & Rutter’s research report on Wade’s Causeway.

An oval-shaped enclosure bounded by ruined stone walls and measuring 488 feet NE-SW and 230 feet NW-SE. Containing 25 small cairns usually 12-15 feet in diameter. Iron slag and flint flakes found on surface. Date and purpose unknown.

In late 2009 a large fire broke out on the moor revealing the site. I visited shortly after and took these photos.

On returning, the moor has regenerated and the site has once again has disappeared into the heather. It can still be seen on aerial photographs.

 

Sources

Wade’s Causeway by R.H. Hayes & J. G. Rutter. Scarborough & District Archaeological Society Research Report No. 4  1964

Pastscape

Yorkshire Rock Art

Baysdale

Ernaldsti

Ernaldsti, the ancient route runs through Westerdale joining the ridge route at Ralphs Cross.
Base path

Heading west into Baysdale, the track helps keep the bracken at bay.

Base cup

A large slab of rock sits buried in the bracken below the track. I have stopped here many times, it is a perfect place to sit and gaze across to the hidden valley of the Great Hograh Beck.

Cup

The slab has a single cup mark at its centre, it is difficult to say whether or not it is prehistoric in origin, there are also carved initials on the stone.  In the 1960s Rowland Close reported a prehistoric carved stone at the head of the Great Hograh Beck valley on Holiday Hill.

Flint

On returning to the path I find a single grey flint.

Wall

The repairs of the field walls echo the prehistoric walling of the surrounding moor tops.

Barn i

The fields have been abandoned, the farmhouse and barn derelict.

Base barn

Baysdale YN [Basdale c 1200 YCh 564]. ‘Valley with a Cow-shed’ (ON bass).

Yellow

The hillside sheep scrapes are filled with tiny yellow flowers, my friend Barry has identified them as climbing corydalis (Ceratocapnos clavicular).

sheep double dare

On the moor top I stop for a chat with the keeper. He tells me that he has just returned from a week in Ibiza with the lads.

Ripper

Roadside litter – a short memory

———

Ekwall does not mention Hograh, perhaps his definition below gives a clue to the etymology.

OE hoh ‘heel; projecting ridge of land’, dial. hoe, heugh ‘crag, cliff, precipice, a height ending abruptly’. In pl. ns. the meaning varies from ‘steep ridge’ to ‘slight rise’. The OE inflexion was hoh, gen. hos, dat. ho plur. hos, gen. ho, dat. hom. Later were formed gen.  hoges, dat. hoge, plur. hoas, hogas &c.

An alternative etymology by Margaret Gelling

hangra OE ‘sloping wood’. This term is well evidenced in the boundary surveys of charters but is not otherwise recorded in OE. It is usually translated ‘wood on a steep slope’, which is the sense in which hanger is recorded in the 18th century..

Sources

Prehistoric Rock Art in the North York Moors. Paul M Brown & Graeme Chappell. 2005

The Concise Oxford Dictionary of English Place Names. Eilert Ekwall. 1959

Place-Names in the Landscape. Margaret Gelling. 1984