Diving for Pearls – Women in Shipbuilding

In 2021 I posted this image for International Women’s Day. I didn’t really have much information about the image other than this page on the Tesside Archives website.

Last week I saw an article about an exhibition called Women in Shipbuilding being held at the Common Room in Newcastle. The exhibition is part of a Historic England project to reveal the largely untold story of how, during the First World War, women worked in the shipbuilding industries in the North East of England.

The exhibition uses images from the Imperial War Museum’s collection and is being shown at various venues around Tyneside. The organisers hope to encourage people to come forward and share any information they have on this hidden history with a goal of building a publically accessible archive.

Looking through the Historic England material, all of the project partners are on Tyneside, I cannot see any plans to bring this exhibition to Teesside. Considering that a number of the images are of women involved in the construction of the Furness Shipyard at Haverton Hill, this is potentially a lost opportunity to involve people from beyond the banks of the Tyne in this important project.

Website including image galleries Historic England: Women in Shipbuilding

Postscript

After visiting the exhibition, I took a walk up the Laing Gallery to have a look at their exhibition of Chris Killip’s photographs documenting the building of the last ships on the Tyne. These images are permanently housed within their own space in the gallery. It would be nice if some of the wonderful images from Imperial War Museum’s collection could find a similar home in the North East of England.

Boundaries, Pits & Zeppelins

I’ve been interested in the notion of boundaries recently so decided to combine this with a wander over Easington High Moor following the route of an eighteenth century perambulation that I found posted online a few years ago.

route

Manorial perambulations are an ancient practice, the boundaries of the district are walked to confirm ownership and ensure that no territorial infringements have taken place. What is interesting about this route is that it continues to be used as a formal boundary to define at least 13 different regional, county, unitary authority, parliamentary, and parish territories.

The route starts on the little-walked western section of the moor beside the Danby Road at a stone called Harlow Bush, the perambulation states that it is also called Harlot-Busk,  Harlot-Thorn, otherwise Harlow-Thorn, otherwise High- Thorn.

The early OS map shows Harlow Bush and High Thorn as two separate stones. I was unable to find the latter stone but there has been much road widening since the map was drawn so the stone has either been removed or is lost in a mass of gorse and brambles at the junction between the Danby and Moors road. it doesn’t take the moor long to swallow-up the fallen.

A number of the stones have dates carved into them, mainly from the early 1800s and post-date the enclosure of the moor in 1817. The names of the perambulation sites imply that prominent stones and trees were used as boundary markers, this was formalised during the 19th century by the erection of many of the boundary stones that we see across the northern moors today. Some of them, especially the earth-fast stones, probably pre-date this period.

Others stand beside older stones and bear their names.

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I cross a marshy section and come across a long section of cast iron pipe. The 40″ diameter pipe is a remnant from an attempt to build a railway across the moor. The railway, known locally as Paddy Waddell’s Railway, was supposed to be built to carry iron ore from the mines at Skelton and Brotton to the ironworks of Grosmont. The project was halted due to lack of funds and a recession in the iron trade

The Great Dinnod stone has fallen, beside it is a concrete post marked GT on one face and DT on the other. Further along the low ridge is the Little Dinnod, still standing.

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Beneath the Great Dinnod ridge is a beautiful low grassy valley, it’s a marked contrast to the heather moorland that surrounds it. The valley terminates at the Mellowdale Slack. As I walk along the slack, dozens of tiny birds fly out around me and land in the trees. It’s a magical place. I stop and sit in the shade of a beautiful Rowan listening to the chirruping birds and watch dragonflies busying themselves along the valley.

Refreshed, I climb up onto Middle Rigg to have a look at a form of Prehistoric boundary marker, a Segmented Pit Alignment or SEPA. Double pit alignments have been found in other parts of our islands but this particular class of monument is unique to the North York Moors. This definition is taken from the excellent official blog for the North York Moors National Park

A SEPA earthwork however is made up of two or three pairs of pits inside two parallel enclosing banks largely made from the spoil from the pits, these are generally in what appear to be conjoined segments. The segmentation suggests development over time rather than a linear structure created in one go as a land boundary.

In each case the SEPAs appear to be aligned with nearby Bronze Age barrows (burial mounds), which suggest the SEPA are Bronze Age too and could have had a related ritual purpose. The alignment of all the SEPAs is north-west to south-east. This alignment seems to have taken precedence to any alignment with the barrows. The parallel banks were oddly low, which means the earthworks were not prominent in the landscape when they were constructed, unlike the barrows.

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Most of the pits are filled with grasses and sedges, the low enclosing banks are visible where the heather has been burned-off.

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One of the pits has an excavation trench running across the pit and bank. This may have been left from Canon Atkinson’s 1848 excavation where he interpreted the pits as the remains of an ancient British pit village.

lidar

There is another line of pits close to the SEPA, this has a much more recent history and has nothing to do with boundaries. The LIDAR image above shows the pit alignments and barrows of Middle Rigg. It also shows a curving line of four pits, these are bomb craters caused by the dropping of bombs during a Zeppelin raid on the North Eastern coast in May 1916. A full account of the raid can be read here

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I walk over the rigg to the Long Stone. This beautiful monolith with it’s strange disc is probably one of the tallest stones of the Northern Moors and is one of my favourites. Is it prehistoric? I don’t know but would like to think so. It is also a fitting end point for my wander across this section of this lovely moor.

Sources

Maps and Lidar image reproduced with the permission of the National Library of Scotland

The Official Blog of the North York Moors National Park

Zeppelin Raids Gothas and ‘Giants’, Britain’s first blitz by Ian Castle

The Sheep Fold by Bryan Hoggarth

Haverton Hill

haverton-s

The yard was built during 1917 on eighty-five acres of low-lying land, with much of the construction work done by women, ex-servicemen and Irish navvies.

The River Tees – R Woodhouse 1991

The link below is to an article in the Evening Gazette detailing the hundreds of women employed in the construction of the Furness Yard, illustrated with wonderful photographs from the British War Museum archive.

Localism: How Tees women outclassed men in WW1 construction – and were drawn into mainstream employment