The Black Meadow Archive Volume 1

The Black Meadow

“Some artists create a distinctive sound, others magic up an accompanying persona and backstory. Kev Oyston and Chris Lambert have gone one further: their Black Meadow project has seized control of an area of the North York Moors and used it as the backdrop for a deliberately confusing, unsettling multimedia mix of disturbing folklore and Cold War paranoia.
“…the story is set out in the shadow of an early warning ballistic missile station at RAF Fylingdales where a mysterious village, trapped in a pre-industrialised web of sinister superstition, appears sporadically from the mist. “The Village Under The Lake” is a sweeping orchestral overture with banks of synthetic, otherworldly choirs, impressively echoing the cinema work of John Williams. Meanwhile, “Ghost Planes” reverts to haunted type with the crackle of analog MOD communications and the rumble of discontented synths soundtracking investigations into a mysterious aircraft seemingly spiralling backwards through time. “Song Of The Meadow Bird” is a disquieting pastoral delight, all ersatz harpsichords and flutes, the half forgotten theme to some spooky 1970s BBC children’s drama.”

Bob Fischer, Electronic Sound Issue 61, January 2020

Release date 31.01.2020. Available for pre-order here

Ramsdale, The Grey Horse Stone & The Old Wife’s Neck

..Knox was perhaps the first to recognise the stone triangle. He records one from Ramsdale Hill Top, Two miles west-south-west of Robin Hood’s Bay made of stones 4-6 feet high..another near Stoup Brow forms an acute triangle, the tallest stone known as the Grey Horse Stone being not more than 5 feet high.

Early Man in NE Yorkshire. Frank Elgee. 1930

The Giant’s Lapstone

Hob Hole

The Giant’s Lapstone was a large boulder on the southern slope of the Basedale Beck valley at Hob Hole. The boulder  was described by Blakeborough as Hanging, as though balanced and held by some unforeseen agency.  he goes on to state that The massive rock was believed to possess the power of detecting those maidens who had in any way deviated from the paths of virtue..It was recognised as a testing-place of virginity and purity.

In the centre of the boulder was a hole about two feet deep shaped like a foot print. The tradition held that a maiden whose purity was tarnished would be able to place her leg in the depression without difficulty, whereas the leg of a virtuous women would cause the cavity to close towards the apex thus preventing her foot from being fully inserted.

The stone was also a place of pilgrimage  for newly married women seeking a blessing on any children that they may have. For a pilgrim to receive a blessing from the stone she had to the perform the following ritual.

The visit must be made on a Monday, the mother to be had to bring a cobblers hammer and a shoe for her left foot. She had to then sit on the stone and recite a long doggeral rhyme. Blakeborough gives us an imperfectly remember version of the rhyme.

Cobbler, cobbler, look on me,

I come to crave thy blessing,

…….

I beat thy leather for thee.

…….

Nine nails to bind the heel I take.

…….

A wild boar’s bristle, long and strong, 

To thy wax-end I fix it.

To nine long strands well rolled,

I wax them well with drawn wax,

I wax, I wax it well for thee.

……..

I wet the welt, I beat the welt,

As on they last I lay the welt.

…….

Tough and firm from the middle hide,

Well-beaten on they lapstone,

I lay my sole upon thy last.

Strong as nine wax-ends thrice doubled,

So none but thy giant hands could pull asunder.

 

Now lifting up the shoe the supplicant had brought along with her, she continued:

 

The shoe is now made,

As well shaped as it I now put on, I pray

May all my children be;

Strong in every part.

I claim but one shoe from thee today.

May I never have a two-birth.

I cast my old shoes from me,

Poor and shapeless.

No part upon the lapstone ever lay-

Into the water I cast it-

To it may all my ill-luck cling,

And that of all that shall be mine. 

So cobbler look upon me

With favour and great graciousness,

I pray thee look upon me,

And all mine yet unborn;

Ere I bid thee good-day. 

Sadly, nothing remains of the Lapstone. Some time around 1830 the boulder slipped into the valley bottom causing an obstruction in the beck and the stone was broken up by blasting. The portion of the stone with the footprint shaped depression was taken to Castleton where it was used as a mounting-stone outside of one of the inns. This stone is thought to have been broken-up to repair the road. The legend of the Giant involves a wicked Baron and a boot-shaped chariot drawn by thirteen swans. I will write that tale in another post.

Source – The Hand of Glory. J Fairfax-Blakeborough. 1924