A few weeks ago Graham and I were stood on Harberry Hill looking south across Teesdale. I could see the scar running beneath the scarp edge of Holwick Moor. I was trying to figure out how I had previously overlooked such a massive outcrop of limestone, Graham put me right ‘it’s the Whin Sill’..of course it is. On returning home my mind kept taking me back to the Scar, we decided to return.
The Tees – Powler’s frozen suds.
Frost-shattered stone.
The road to Holwick
The Scar Sentinel – Columnar JointingDrumlins and The Scar – Holwick from Castles. Above the Scar – Holwick Fell, Prehistoric cairns poke through the coarse grasses.Above the Scar – Carboniferous Limestone outcrops on the fell top.Above the Scar – Sand Force waterfall, mid-thaw. Below the Scar – Low Pikestone barn.
The third instalment of Graham’s Black Path Series. A 16mm film exploring the landscape around Warrenby Marsh and the Black Path on Teesside. Filmed using a vintage Ensign Auto Kinecam with ORWO UN54 16mm film then hand processed in Ilford ID-11 developer.
My friend Graham Vasey and I took a walk up to Lilla Howe, Graham was wanting to have a look at Lilla Cross and make some images as part of his ongoing Dainn series, exploring landscape and folklore.
Lilla Howe is classified as a Bowl Barrow, a large burial mound built of turf and stone. It dates from the Bronze Age and is part of a chain of barrows that run from the southern edge of the Esk valley to the Tabular Hills. This and other lines of Barrows on the moors may once have been used as boundary markers, defining the territories or estates of different groups, the mounds of the ancestors, perhaps indicating legitimacy and continuity of ownership. This use continues today as many of the more prominent moorland barrows continue to define modern boundaries.
Lilla Howe is a very ancient and important landmark, it marks the junction of four ancient parishes, Allerston, Fylingdales Moor, Goathland and Lockton. This boundary was first recorded in AD 1078 but may be much older.
The stone cross has a ‘G’ carved into its north face, this signifies Goathland, there is a ‘C’ on the southern face which is thought to represent Cholmley. The Cholmley family took ownership of the land in the sixteenth century following the Dissolution of the Monasteries, the estate had previously been owned by Whitby Abbey.
It was also a junction of two significant trackways running south from the coast to the Vale of Pickering, The Old Salt or Fish Road and the Pannier Man’s Way. These tracks are now lost beneath RAF Fylingdales. Lilla Howe continues to be used as a boundary marker, it is a junction for a modern parliamentary constituency boundary.
This section of the moors is also significant as it is the point where the moorland becks and streams run to the south. The northern moors are drained by two major rivers, The Esk and the Leven. The becks and rivers of the southern moors drain into the River Derwent. Derwent Head, the source of the River Derwent is less than a mile south of Lilla Howe.
Lilla Cross sits on top of Lilla Howe, it is one of a few surviving, intact moorland crosses. The tradition is that the cross was erected as a memorial to Lilla, a lord at the court of King Edwin.
The prehistoric burial mound was re-used during the early Medieval period, two Gold discs and four silver strap-ends were found in the mound, these items were used to re-enforce the tradition that this was the burial site of Lilla, therefore dating the cross to the seventh century. Unfortunately the objects found in the mound are Scandinavian in design and date to the tenth century.
Bede’s account of Lilla
…there came to the kingdom an assassin whose name was Eomer, who had been sent by Cwichelm, King of the West Saxons, hoping to deprive King Edwin of his Kingdom and his life. He came on Easter Day to the King’s hall which then stood by the River Derwent. He entered the hall on the pretence of delivering a message from his lord, and while the cunning rascal was expounding his pretended mission, he suddenly leapt up, drew the sword from beneath his cloak, and made a rush at the King. Lilla, a most devoted thegn, saw this, but not having a shield in his hand to protect the King from death, he quickly interposed his own body to receive the blow. His foe thrust the weapon with such force that he killed the thegn and wounded the King as well through his dead body.
Etymolgy – Rivers
Derwent – Derived from British derva ‘oak’ Welsh derw &c. The name means ‘river where oaks were common’.
Esk – A British-river name identical with Axe, Exe and with Usk in Wales and Isch and others on the continent. British Isca became Esca, whence OE Esce and Aesce, which gave Esk and with metathesis Exe and Axe…and probably comes from pid-ska or pit-ska the root being pi- in Greek piduo ‘to gush forth’.
Leven – A British river-name identical with Libnios c150 Ptolemy (in Ireland) and Llyfni, Llynfi in Wales. The name may be derived from the adjective for ‘smooth’ found in Welsh llyfn.
Sources
Early Man in North East Yorkshire. Frank Elgee. 1930
Old Roads & Pannierways in North East Yorkshire. Raymond H Hayes. 1988
Another one of Graham’s beautiful films. Filmed during a walk we took around the Bran Sands, using an ancient Ensign Auto-Kinecam camera and 16mm film hand processed in Ilford ID-11. The soundtrack was created by Greg Marshall
Graham made the film during a recent walk that we took along the path. He filmed it using a 1930’s Ensign Auto Kinecam and expired Ilford FP4 Plus film which he processed himself.
The original soundtrack was created by Greg Marshall, the film was scanned by James Holcombe.
My multi-talented friend Graham Vasey has written a book. Graham is an artist, writer, photographer, countryman and fisherman philosopher, he also brews wonderful beer. I’d recommend you take a look.
The one positive thing to come out of lockdown for me is I have finally finished my book “The Fishing Flies Of A Teesdale Angler” in which I look at over 30 flies published by Robert Lakeland in the 1850’s. Within the book I discuss the flies individual history (many of which go back to the 17th century) the materials they were created with and how we can replicate these simple but effective fishing flies. It is available to buy directly from Blurb.com for £25 plus postage, but if people would like a copy please contact me, if I can order over 20 copies I can offer it at a significantly cheaper at £15 plus postage.