I, Orm the son of Gamal, Found these fractured stones Starting out of the fragrant thicket. The river bed was dry. The rooftrees naked and bleached, Nettles in the nave and aisleways On the altar an owl’s cast And a feather from a wild dove’s wing. There was peace in the valley: Far into the eastern sea The foe had gone, leaving death and ruin And a longing for a priest’s solace. Fast the feather lay Like a sulky jewel in my head Till I knew it had fallen in a holy place Therefore I raised these grey stones up again
Herbert Read
Tucked away in the secluded valley of the Hodge Beck is the ancient church of St Gregory. It is thought that there may have been a church on this site as early as the eighth century. A number of early crosses have can be seen built into the walls with further loose remnants held within the church including a quern
Above the south doorway is a sundial that reads, Orm Gamal’s son bought St. Gregory’s Minster when it was all broken down and fallen and he let it be made anew from the ground to Christ and St. Gregory, in Edward’s days, the king, and in Tosti’s days, the Earl. This is day’s Sun marker at every tide. And Haworth me wrought and Brand, priests. The sundial dates to just before the Norman Conquest, we know this because Tosti refers to Earl Tostig, Tostig Godwinson, the Earl of Northumbria from 1055-1065.
The church was restored in 1907 by Temple Moore, of the greatest Victorian church architects. A few elements from the early church can still be seen including the beautiful, tall, narrow Saxon south door, which was once an entrance but now leads into the tower, and a wonderful waterleaf capital.
Just across the valley from the church is the site of the famous Kirkdale Hyena Cave, a place of some significance in the history of the study of geology and evolutionary science. More of that another time.
St. Andrew’s church at Haughton-le-Skerne is the oldest in Darlington and probably stands on the site of a previous Saxon Church. The church is essentially Norman and has a collection of early medieval carved stones.
I walked up to the porch, it was locked, my heart sank, I walked around to the west door, a big smile, not only an open door but a beautiful plain Norman arch and tympanum.
On entering the church things just got better, I was given a very warm welcome into the church by two lovely attendants who were sat in the baptistry on either side of this handsome font. The original font has gone but the beautiful Frosterly Marble base survives. We had a chat about this and that and I was shown around the church then left to wander.
In the nave there are a number of early medieval stones that have been built into the walls. The stones were found during the 1895 restoration. One of the carvings (bottom picture) stands out as being exceptionally good.
This piece establishes that the best carving from this site occurs with the most purely Scandinavian ornament. The ribbon animal panel on A is closely linked in style with Sockburn 8 and should date from an early stage after the introduction of the Jellinge-type style. It is possible that this piece was carved elsewhere, since it is the only piece from the site in this stone.
Another simple arch and plain tympanum leads into the porch and more remnants of carved stones including some knotwork and fragments of cross slabs. A blackbird has made its nest on a shelf, she watches me but does not move.
Back in the nave, the amount of 17th century woodwork is quite overwhelming. I’m told that this style is known as ‘Cosin woodwork’ named after Bishop Cosin of Durham. This style is unique to County Durham and is now quite rare. Nikolaus Pevsner dates the woodwork to the 1630’s and writes that ‘the church gives a very complete picture of that date.’
The chancel arch is Norman, its single-step simplicity reflects the entrance and porch arches. Below the arch on the left of the picture is a squint or ‘hagioscope’ designed as a viewing point between the nave and the chancel. Below the arch on the right side is a niche with the remains of an original pre-reformation fresco painting. This niche may have housed a statue of the Virgin Mary.
Displayed on a shelf in the south transept are a number of sheets of lead. These were removed from the tower roof. All date to the eighteenth century, three are outlines of shoes, one is a hand and another is an etching of a fully-rigged ship. All of the sheets are initialled, presumably by the craftsmen who repaired the roof at various times.
I would encourage you to visit this beautiful church. This Grade one listed church is warm and welcoming and proudly displays its rich history and heritage. The church is open for visitors every Wednesday 10am-4pm June til November.
Sources
The Buildings of England. County Durham. Nikolas Pevsner. 1953. Penguin Books.
The Abbey at Whitby was one of the earliest Romanesque buildings to be erected in the North of England but my focus today was on the neighbouring church of St Mary. A while ago my friend Chris Corner posted a picture of a head carved on a capital within the church, so on a whim, I headed over the storm-battered moor road to see what I could find.
I’ve visited this church many times in the past but this was prior to my explorations of Early Medieval stonework, I wasn’t sure what to expect. The south door with its arch and carved spiral capitals lifted my spirits.
Inside the church I made my way between the beautiful box pews to the chancel arch. The arch is mostly hidden behind the upper level, the lord of the manor’s pew. There is a second arch over the entrance to the tower but this has been completely hidden behind the organ.
On the capital of the left hand arch is a carving of a head emitting unfurling foliage. This bears a striking resemblance to the ‘Green Man’ carving in Marske Church.
Marske
LivertonLythe
There are other foliate heads to be found locally at Easington, Liverton and Lythe .
Durham CastleKirklevingtonLong Marton
One of the capitals on the right hand side of the arch has a carved head with a star on either side. The star is not an uncommon motif on Northern English Early Medieval stonework.
There are other elements of early stone work to be found in and around this lovely church, coupled with the Abbey next door, it is a wonderful place to visit. For me, with the failing light and the howling gale of Storm Barra blowing across the clifftop, it was time to head for home.
The church at Kirklevington has been in existence since the early medieval period. The chancel is Medieval, the rest of the church was rebuilt during the nineteenth century. Many ancients stones were found during the rebuilding of the church and have been incorporated into the fabric of the church.
Inside the porch is the entrance arch to the church. The two orders are a bit of a hodge-podge of weathered stones. There are spirals carved onto the capitals and one has a carving of intertwined serpents which is quite hard to make out.
The Chancel Arch is much more satisfying. The left hand capital is beautifully carved with a man’s head, stars and spirals. Beside the capital is the carving of a lion. The capital on the right side is carved with a headless bird, beside it is a rather damaged carving that has been interpreted as an ox. There is a lovely booklet available at the church which informs us that these carving represent the four evangelists, Mark (lion), Mathew (the head), John (the bird), Luke (the ox).
There are quite a few Cross Slabs within the church. Cross slabs are difficult to date as they were used from the eleventh to the seventeenth century.
There are a number of stones embedded in the external walls including six chevroned stones which may have once formed part of an arch. I’m guessing these were left over from the rebuilding of the doorway arch.
This beautiful door handle is a nod to the ancient origins of the church.
Replica
A number of ancient carved stones were discovered during the rebuilding of the church. Many of the ancient cross fragments have been removed from the church and are currently being stored at the Preston Hall Museum, a few are on display. The stone below is part of a cross shaft and is probably my favourite local medieval stone. It is thought to depict the Norse god Odin and his two ravens Huginn and Muninn (thought and mind). Odin’s ravens would fly out into the world and report what they saw to Odin.
Why is Odin depicted on a christian cross?
The early medieval period was a time of transition from the Pagan religions of northern Europe to Christianity. Nothing was straightforward, Pagan kings would succeed Christian Kings and the Christian church itself was split between two traditions, the celtic church and the church of Rome.
It may seem odd to us to see pagan imagery on a Christian cross shaft but the people of the early medieval period would have recognised and understood this imagery. Odin would have been a familiar figure to not only the people of Scandinavian descent but also to people who’s ancestors had travelled to our area from northern Europe.
Odin was known in the Anglo Saxon world as Woden, perhaps Woden was also worshipped in our islands prior to the arrival of the Anglo Saxons. During the Roman occupation of Britain, the majority of the Roman army was comprised of Auxiliaries. These units were manned by soldiers from territories that had fallen to Roman conquest. The majority of the Auxiliaries in our islands were composed of men from northern Europe, lands where Woden was a primary deity.
The Roman tradition was not to suppress the local belief in the gods of the lands they were conquering, they would associate local gods with Roman gods who possessed similar attributes, Woden/Odin was associated with the god Mercury because of his role on guiding the dead to the afterlife. The Roman historian Tacitus wrote that the Northern European tribes worshipped Mercury. Wednesday (Wodin’s Day) is known in Latin as Mercurii dies (‘Day of Mercury’).
This carving has been interpreted as portraying the god Mercury, is in the church at Aldborough, the church is said to have been built on the site of a Roman shrine.
It’s an interesting aside to look at Odin and Jesus. Given the evidence, it is fairly safe to assume that Odin may have originated in an older, shamanic-based belief system, if we detach ourselves from our christian assumptions we may also see similar shamanic elements in the life of Jesus.
In becoming a shaman there is generally a requirement for a ritual death and rebirth. Odin achieved this by hanging himself on a tree, Jesus was hung on a cross and then descended into the underworld before being reborn. Whilst on the tree, Odin pierced himself with his spear, whilst Jesus was on the cross he too was pierced with a spear.
Shamans are generally wanderers who undertake spirit journeys, Odin famously wandered in search of enlightenment, Jesus wandered with his small group of followers throughout his later life, the bible records his forty day solo journey into the Sinai desert without food or water. Both Jesus and Odin possessed the ability to speak to and raise the dead, Odin using his magic, Jesus by miraculous means, magic by a different name?
Perhaps the people of the past saw these similarities too. The early Christian church was very different to the church of today, the early Christian world was a place of mystics, demons, miracles, monks and local saints, many of who may have previously followed a pagan tradition.
Odin is thought to have hung himself on Yggdrasil, the world tree. The Pagans of northern Europe also had a world tree, Irminsul. These trees may have had their origins in the shamanic tradition where they symbolised the shaman’s journey between realms. Perhaps the cross represented the same idea to the early christians, an axis between the realms of heaven, earth and the underworld.
Resources
Anglian & Anglo-Danish Sculpture in the North Riding of Yorkshire. W.G. Collingwood. YAJ Vol.19. 1907
Yorkshire A Gazetteer of Anglo-Saxon & Viking Sites. G Points. 2007
Romanesque Yorkshire. Yorkshire Archaeological Society Occasional Paper No.9 Rita Wood. 2012
Archaeological Trail. St Martin’s Church. Kirklevington. A pamphlet available from the church.
Yggdrasil Image – Oluf Bagge, Public domain, via Wikimedia Commons
Thanks to Gary & Kate for arranging access to their lovely church.
The Romanesque arch, weather-beaten but recognisable.
The ghost of a Beakhead
The Norman font, uncomplicated with a cable pattern below the rim.
A protection mark? A saltire scratched into the underside of the arch resembles similar motifs carved into the witch posts of the moorland villages.
An Anglo-Saxon crosshead.
Regarding the grooves on the porch wall behind the cross head. These grooves are found on many of the walls of old churches throughout Europe. Tradition has it that they were caused by medieval archers sharpening their arrow heads prior to Sunday archery practice. In some parts of the country these stones are referred to as ‘Arrow Stones’. This seems like a highly unlikely explanation, the nature of the grooves would probably only serve to blunt a blade rather than sharpen it
Another possible, and more likely explanation for the grooves, is that they were caused by people collecting grit and dust from the church for use in folk medicines and ritual preparations. Any part of the fabric of a consecrated building, including water from the roof, was thought to have curative powers for both people and their livestock. The practice of collecting materials from a church, to use as a cure for all manner of ills, has been documented across Europe.
There is an old house on Marske High Street that has similar grooves on its external walls. I was told that it was once a schoolhouse and the grooves were caused by pupils sharpening their slate pencils on the building walls. An alternative explanation is that perhaps these stones were recycled from a previous building such as St. Germain’s Church or the medieval manor house that once existed on the outskirts of the town.
This cross shaft is thought to be Anglo-Danish. There is also the remains of an Anglo-Danish Hogback grave cover in the porch but it is is very eroded and barely recognisable.
Osmotherley
Asmundrelac 1086 Domesday Book
‘Asmund’s clearing’…A hybrid formation with a Norse inflexion of the of the first element suggests very intimate association of the Norse and Anglian speech.
The Place-Names of the North Riding of Yorkshire by A.H. Smith 1928
My friend Graham Vasey and I took a walk up to Lilla Howe, Graham was wanting to have a look at Lilla Cross and make some images as part of his ongoing Dainn series, exploring landscape and folklore.
Lilla Howe is classified as a Bowl Barrow, a large burial mound built of turf and stone. It dates from the Bronze Age and is part of a chain of barrows that run from the southern edge of the Esk valley to the Tabular Hills. This and other lines of Barrows on the moors may once have been used as boundary markers, defining the territories or estates of different groups, the mounds of the ancestors, perhaps indicating legitimacy and continuity of ownership. This use continues today as many of the more prominent moorland barrows continue to define modern boundaries.
Lilla Howe is a very ancient and important landmark, it marks the junction of four ancient parishes, Allerston, Fylingdales Moor, Goathland and Lockton. This boundary was first recorded in AD 1078 but may be much older.
The stone cross has a ‘G’ carved into its north face, this signifies Goathland, there is a ‘C’ on the southern face which is thought to represent Cholmley. The Cholmley family took ownership of the land in the sixteenth century following the Dissolution of the Monasteries, the estate had previously been owned by Whitby Abbey.
It was also a junction of two significant trackways running south from the coast to the Vale of Pickering, The Old Salt or Fish Road and the Pannier Man’s Way. These tracks are now lost beneath RAF Fylingdales. Lilla Howe continues to be used as a boundary marker, it is a junction for a modern parliamentary constituency boundary.
This section of the moors is also significant as it is the point where the moorland becks and streams run to the south. The northern moors are drained by two major rivers, The Esk and the Leven. The becks and rivers of the southern moors drain into the River Derwent. Derwent Head, the source of the River Derwent is less than a mile south of Lilla Howe.
Lilla Cross sits on top of Lilla Howe, it is one of a few surviving, intact moorland crosses. The tradition is that the cross was erected as a memorial to Lilla, a lord at the court of King Edwin.
The prehistoric burial mound was re-used during the early Medieval period, two Gold discs and four silver strap-ends were found in the mound, these items were used to re-enforce the tradition that this was the burial site of Lilla, therefore dating the cross to the seventh century. Unfortunately the objects found in the mound are Scandinavian in design and date to the tenth century.
Bede’s account of Lilla
…there came to the kingdom an assassin whose name was Eomer, who had been sent by Cwichelm, King of the West Saxons, hoping to deprive King Edwin of his Kingdom and his life. He came on Easter Day to the King’s hall which then stood by the River Derwent. He entered the hall on the pretence of delivering a message from his lord, and while the cunning rascal was expounding his pretended mission, he suddenly leapt up, drew the sword from beneath his cloak, and made a rush at the King. Lilla, a most devoted thegn, saw this, but not having a shield in his hand to protect the King from death, he quickly interposed his own body to receive the blow. His foe thrust the weapon with such force that he killed the thegn and wounded the King as well through his dead body.
Etymolgy – Rivers
Derwent – Derived from British derva ‘oak’ Welsh derw &c. The name means ‘river where oaks were common’.
Esk – A British-river name identical with Axe, Exe and with Usk in Wales and Isch and others on the continent. British Isca became Esca, whence OE Esce and Aesce, which gave Esk and with metathesis Exe and Axe…and probably comes from pid-ska or pit-ska the root being pi- in Greek piduo ‘to gush forth’.
Leven – A British river-name identical with Libnios c150 Ptolemy (in Ireland) and Llyfni, Llynfi in Wales. The name may be derived from the adjective for ‘smooth’ found in Welsh llyfn.
Sources
Early Man in North East Yorkshire. Frank Elgee. 1930
Old Roads & Pannierways in North East Yorkshire. Raymond H Hayes. 1988
I needed to unravel a few knots and put some ground under my boots. I was undecided as to where to go…time for the coin. A flip of the coin as to whether it would be moorland or coastal, a second flip to decide on a old favourite on a new site. The outcome, coastal/new.
A while ago I was reading about the Boulby Alum Quarries, I’d never visited the place, I did once try to get there via the the Loftus quarries but failed. I had read that Boulby was one of the best examples of its kind in the country, so that was that, Boulby was the place.
I walked along the Cleveland way to Rockhole, looking for a path into the quarry. All I could find was the trace of a track heading towards Rockhole Hill. I followed the track which got fainter and fainter and took me deep into the quarry. The vegetation got higher and thicker and the track eventually petered-out completely at a large pile of droppings. I’d been following a rabbit track which had led me into a deep thicket of gorse and brambles. I looked for a way forward but couldn’t seen anything that resembled a path.
I had a choice, try and push forward through the quarry or retrace my steps back up to the main footpath and start again. I decided to push on and look for another path. I thought that if I could skirt around Rockhole hill towards the cliff edge I would come across a path, a simple enough plan. The problem was that the foot of the hill and the quarry floor is covered in chest-high rosebay willowherb, bracken, gorse, brambles and boulders, there are also a number of small, steep-sided beck channels concealed beneath the vegetation. The flanks of the hill are steep but less treacherous, they are covered with deep heather and large, impenetrable patches of gorse and brambles. It took me about half and hour of constant scrambling and slipping to cover the short distance to the cliff edge.
Much to my relief, my efforts eventually led to an overgrown track that looked as though it was heading towards the main quarry and alum works. After that it was fairly plain sailing, there were still patches of gorse and brambles to get around but the ground was fairly level and the surrounding vegetation was fairly low.
Moving along the track I began to noticed low walls, the remains of a building, a stone-covered culvert and two beautiful circular stone-lined tanks. The production of Alum started here in the mid 1600s, the Rockhole quarries and structures are the oldest part of the site.
I continued to walk north into the later sections of the works and suddenly found myself standing in the quarry, an amphitheatre of alum, ruins of massive stone walls and heaps of alum shale, facing the sea and backed by the massive sandstone cliffs, a wonderful sight.
The cliffs are never static, large blocks litter the site, some bearing fossils.
Walking around the ruins, the mind starts to wander. It is easy to forget that this was a place of industry and imagine that these are the remnants of a cliff-edge citadel whose myths are still waiting to be discovered.
These cliffs are the highest point on the east coast of our island. The land above the quarry has been occupied for thousands of years, its soils contains the evidence of the district’s earliest house. Archaeologist Steve Sherlock has also found evidence of prehistoric salt production and jet working on the land behind the clifftop, evidence of early industry, albeit on a small scale. Our prehistoric ancestors performed rituals and buried their dead on these clifftops. It is also the location of the famous Saxon Princess burial.
I left the quarries and followed the path that runs between Rockhole Hill and the cliff edge. The track is becoming overgrown, an indication that this site doesn’t see many visitors. A couple of short sections of the path have eroded away, this is not a place for anyone who is nervous of walking along a cliff edge. The track leads back to the Cleveland Way via a couple of lovely tiny woods, shoehorned into the short valleys running down to the cliff tops.
If you are going to visit the quarries I would advise that you avoid following the track down into the Rockhole Quarry, my legs are covered in small cuts, pin-cushioned by brambles and gorse and it took a fair bit of effort to escape the quarry. The cliffs along this part of the coast can be unstable, the track around Rockhole Hill is difficult to find but definitely the one to take, however it is not without danger and should be approached with great caution.
We took a trip up to Hexham, I spent half an hour wandering around the Abbey. As you walk into the Abbey you are faced with a Roman Tombstone, discovered in 1881, it is a memorial to Flavinus, a standard bearer. The carving depicts Flavinus riding over, what I presume is, a native Briton, the victors boot planted on his victims backside. The triumphs of past conquests are often displayed our churches, it is rare to see a memorial depicting our own islands conquest and defeat.
The original Saxon church was built using stone from nearby Roman sites. The church has been attacked many times during raids by the Vikings and later the Scots.
To the left of the High Altar is the Leschman Chantry Chapel, containing the tomb of Rowland Leschman, Prior of the Abbey from 1480 to 1491. The carvings on the tomb are an absolute joy.
The section of road from Girsby to Over Dinsdale is marked on the OS map as ‘Roman Road’. During the 18th century Gainford Antiquarian, John Cade, studied the Roman Roads of the north and theorised that a Roman road ran from the Humber estuary to the River Tyne. Cade thought that the road may have been an extension of Ryknild or Ickneild Street, a road that ran from Gloucestershire to South Yorkshire. Cade placed the crossing point of the Tees at Sockbridge. The Roman Road became known and is still referred to Cade’s Road.
In the 1920’s Archaeologist OGS Crawford took a look at the area and thought that the crossing point of the was more likely be Middleton One Row at the site of a medieval bridge known as Pountey’s Bridge. A reliable late nineteenth century source reported timber piles and abutments being visible at the site. An earlier report states that a large number of squared Stones being found in the river.
Recent work by the Mid Tees Research Project has discredited Crawford’s theory and moved the search for Cade’s crossing eastwards to a bend in the Tees close to Newsham, where at least three separate river crossings once existed.
The modern road leads to the bridge over the Tees at Low Dinsdale. The bridge was originally built in 1850 by the Surtees family and operated as a toll bridge. In 1955 the bridge was taken over by the North Riding County Council and the original trussed iron beams were replaced with steel beams rolled at the Cargo Fleet Iron Works, a concrete deck was cast then over the beams. The bridge was further upgraded in 1993.
In the churchyard of St John the Baptist at Low Dinsdale is the lower portion of an eleventh century cross shaft. The shaft is carved on all four faces but quite weathered. There are other carved stones within the church but this church is always locked when I visit.
Sources
Bridges over the Tees. The Cleveland Industrial Archaeologist. Research report No. 7 C. H. Morris. 2000
The Smell of Water 